《歌舞昇平》裡有幾個(gè)如果是肥皂劇劇情肯定會(huì)被安排連成一線的家庭，他們口中的悲慘命運(yùn)是如此曖昧地有異曲同工之妙，令人在觀看時(shí)會(huì)想那是誰(shuí)的誰(shuí)，那人跟那人又有什麼關(guān)係?！ ∑鋵?shí)唯一的關(guān)聯(lián)是五個(gè)家庭同樣領(lǐng)取「綜援」，但每個(gè)故事卻往不同方向發(fā)展。他們貧窮的理由或許不一樣，處境也不一樣，結(jié)果，卻都發(fā)展成十分相似的生活狀態(tài)，殊途同歸的境地，幾乎都是對(duì)貧窮的習(xí)慣和適應(yīng)，影片裡穿插著過(guò)年的片段，又和典型中國(guó)人過(guò)年有難以區(qū)分的相同與不同?！ he film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year. 獲獎(jiǎng)情況： 2008年 入圍第32屆香港國(guó)際電影節(jié)競(jìng)賽單元 2008年 入圍韓國(guó)首爾獨(dú)立電影電視節(jié) 2008年 入圍第20屆飛帕電影節(jié)
蒲桃云
